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Mysteries Solved: Secrets of the Thanjavur (Tanjore) Brihadeeswarar Temple Built By RajaRaja Chola

Bhagwan Shiv Shankar’s Tanjore Temple was built over 1000 years ago fully with Granite stones, that too when there was no stone available in the nearby locations. It is huge a 216 feet hollow structure which has withstood all weak or violent disturbances of nature – winds, rainfalls, storms – when the Great Tanjore Temple is built of interlocking stones without any binding material. We call ourselves modern and technologically advanced but even today – No 200+ feet structure in this world is built without binding materials, cements or blocks. Such highly developed, flawless and perfect is the Vedic building technology used by Hindu King RajaRaja Chola and his Hindu engineers that in comparison it portrays our present construction technology as primitive and farce.

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The Tanjore (Thanjavur) City and Temple is not Built by Aliens But people Who Respect

The city is believed to have been named after an asur (demon) Rakshas Tanjan who was annihilated by Bhagwan Vishnu. Locals say that the city gets its name from ‘Than-sei-oor’, which means a place surrounded by rivers and green paddy fields. Several hundreds of years ago Tanjore was initially developed and maintained by Chola dynasty (சோழர்) with rigorous hardwork and for selfless bhakti, love towards Bhagwan Shiv. That is the main reason that Tanjore is lush green, lavishly spread with good water facilities and palm forests. King RajaRaja Chola was proponent of fresh environment and cared for nature, to let divine opulence flow through Tanjore and other nearby cities developed by him and his heirs. There are many places, structures and ancient establishments developed with Vedic engineering that are considered mysterious as it is seen with the paradigm of vested western mindset. Bhagwan Shiv Mandir, Thanjavur or famously corrupted by english as the Tanjore big temple is one of the most mysterious dharmic structure around.

Though the construction is not mystery for peoples (native Indians), it is indeed mysterious for westerners due to their myopic and biased assessment of Vedic structures, that’s the reason why they wrongly connote this great structure as mysterious and an alien establishment. Whenever western scientists, archaeologists were unable to decipher divine structures of temples; they conveniently blanketed it as alien technology to save their faces from the embarrassment and logical explanation. The illicit representation of structures by such concocted and primitive scientists divulge the cunning ploy of denying existence of Vedic gods as the Supreme Beings and labeling them as lords or common alien beings.

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Peruvudaiyaar Kovil – Solved Mysteries of Thanjavur (Tanjore) Shiv Temple


Some of the enslaved colonial bots and pseudo-scientists from India who are not aware of Vedic teachings did multiple researches with western principles, only to re-tag it as unsolved mysteries.

Some of the mysteries of the Thanjavur (Tanjore) big temple are:

A). Underground passages in Thanjavur (Tanjore) 216 feet Temple
B). Huge cap stone at the top of Thanjavur (Tanjore) Shiv Temple
C). Painting in Thanjavur (Tanjore) Big temple
D). Granite stones used for the Mandir construction
E). Cutting and carving of Granite stones for Building Shiv Temple
F). Secret passages in Thanjavur (Tanjore) Big temple
G). Shadow of Thanjavur (Tanjore) Shiv Temple

The construction of the world’s first known and only shallow Shiv temple built by interlocking stones and not by binding them is still a great mystery to the people of world who are devoid of knowledge based on Vedas and ancient Hindu texts. With the blessing of Shiv Shankar King RajaRaja Chola.


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1. Underground passages in Thanjavur (Tanjore) 216 feet Temple

The Tanjore big temple contains more than 100 underground passages to various places. The underground passages also contain some secret passage that leads to various places like the Palace of RajaRaja Chola and also to other important places. The underground passages lead to the other temples and also to various places in and around Tanjore. Most of the underground passages were sealed and if the people choose the wrong passage then there are possibilities that the path may also lead to the dangers. It is widely known that this can also be a trap for the kingdom safety of RajaRaja Chola.

Underground Passages of Thanjavur (Tanjore): The underground passage is build for Sages, Kings, Queens who can roam through the various temples using underground routes conveniently. The routes were very useful to reach temples during auspicious days like Deepawali (दीपावली), Makar Sankranti (मकर संक्रांति) , Maha Shivratri (महा शिवरात्रि) and other such pious festivals. Few passages were interconnected to be used for free flow of fresh air running through lush green vegetation filled with oxygen for healthy breathing of the occupants roaming through the underground routes of the Thanjavur (Tanjore) temple.

There was separate elevated platform constructed for RajaRaja Chola so that he was conveniently able to do abhishek of large Shiv Ling present in Garbhagriha.

Other passages were leading to doorways of tunnels which were sources of water channelized from the fresh river water.

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2. Huge cap stone at the top of Thanjavur (Tanjore) Shiv Temple

The biggest mystery of all the other mysteries in Thanjavur (Tanjore) Shiv temple is the huge cap stone in the top of the huge Mandir. The weight of the cap stone at the top of Thanjavur (Tanjore) weighs astonishingly 80 tons. No man built shallow structure around the world has such huge stone cap at the top of the constructed temple.

“Why was the top of the Thanjavur temple capped ? and How did the Tamil builders of Thanjavur (Tanjore) were successfully able to place the heavy cap stone at the top of the Gopuram on 216 feet high temple ?.”

These are frequently asked queries which globally baffles scientists, archaeologists and common people.

2.1 Why was the Top of the Thanjavur temple Capped

The Garbhagriha were Shiv Lingam is placed emits huge amount of electromagnetic positive energies. The 80 tons stone was kept as a repulsive force so as to make the energy revolve around the temple perimeter and keep the place pious and divinely graceful. The flow of energy move around and within the Vedic structure giving healthily calming, soothing and mentally composing effect to the bhakts and yogis.

2.2. How Architects of Tanjore Placed Stone at the Top of Thanjavur Shiv Temple

There are two explanations (a) Manually (b) Vedic Mantra

(a) 80 Ton Stone Cap Placed on top of Brihadeeswarar Temple

The Massiveness of Structure and 80 Ton Stone Cap at Top of Thanjavur Shiv Temple
At the top of the Sri Vimana Thanjavur temple, near the neck of the Gopuram there are 8 Nandis seen very prominently even while standing from the ground. These Nandis are huge and carved from single stone. A Nandi of the similar scale is seen on the southern Prahara. One can judge the size of the Nandi and its relative weight.
On the front side of the Vimana that is facing the east direction one can see the sculptures of abode of Bhagwan Shiv called as Mahameru. The whole of Sri Vimana is built using granite rocks and the sculptures in them are covered by a thin layer of mortar to preserve the granite sculptures inside.

It is widely known that there were no heavy machines, cranes or any high end equipments used to lift the stone up and place it at the top of the temple. The only thing that can help achieve, the almost impossible feat, were the fleet of elephants. A massive triangular podium of half-pyramidal shaped structure was constructed that was erected adjacent yet to the opposite side of the massive temple. The mammoth task was carried over by intelligent Vedic architects while performing Yagna to take blessings of Bhagwan Shiv, under guidance of Brahmans, Sages and RajaRaja Chola. The figure below represents the construction site, explains how it was done. Massive straircase of rollers were constructed on the base of to pull 80 tons stone by fleets of elephants and men. The platform was more inclined towards ground and not so angular as seen in the representational image.


Mammoth: The Size of the 80 Ton Stone Cap and Nandi Moortis at Top of Shiv Temple


(b) Vedic Mantra Used to Place 80 Ton Stone on Top of Thanjavur (Tanjore) Temple

ओ३म् (ॐ) is the Vedic sound and the creator of everything in this universe – invisible atom to biggest mountains. Sun itself recites ॐ (chanted as ओ३म् ) while giving light to the world. The meditation of OM (ओम) by Sun God keeps it alive and helps it in positioning itself properly in the solar system. When chanting of Vedic Mahamantra ॐ ( as ओम) can position sun and make it master of our solar system.

Then reciting Vedic Mantra could levitate 80 ton stone for placing it at top of Brihadeeswarar Temple or Periya Kovil, an easy task for Vedic sages. There were many gupt mantras that were recited by Tamil Sages to get impossible tasks done while penancing and remembering Bhagwan Shiv. It might sound miracle for all of us so called modern but materialistic beings; it was never a secret for ancient peoples.

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3. Painting in Thanjavur (Tanjore) Big temple

There are lots of high quality paintings in the Tanjore big temple that explain many things about the kingdom of Chola dynasty and also the greatness of particularly, the RajaRaja Chola. Some paintings also explain about the RajaRaja Chola’s selfless bhakti towards Bhagwan Shiv Shankar. There were also depiction of contemporaneous history in the painting of Thanjavur (Tanjore) or Thanjai. Thanjavur has a unique place in the history of Indian painting, it is so because the paintings are splendid, beautiful and looks very fresh as if the paintings were made recently.

Painters across the world are awestruck and they are still trying hard to figure out how even today these hundreds of years old paintings look so natural and novel. RajaRaja Chola always respected Sages, Gurus and Sadhus – one of the paintings reflect him giving respect to his Guru.

Thanjavur Paintings Everlasting Beauty: The everlasting beauty of Thanjavur paintings lies in the herbs. Sages used natural elements for designing Vedic symbols which acted as gateways of communication. These symbols were purposely painted using solution made up of natural elements like flower petals, colorful leaves, haldi (turmeric), treated muds, crushed salts, neem, pressed herbs, etc. The lasting of such Vedic designs were ensured using medicinal learnings of Ayurved. Sages were intelligent and they knew that to establish divine connection with Gods, the continuous recitement of mantras should be supported by yantras that have longer recency and permanency. The same method of Sadhus were originally replicated by Hindu Painters, who used their ancient knowledge to paint everlasting beautiful paintings.

Shiv-parvati painting in Tanjore



The brightness and contrast of the paintings mesmerise people

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4. Granite stones used for the Mandir construction

The granite stones are one of the strongest stones in the world. It is very difficult to carve intricate designs on the granite stones without powerful blunt devices. Granite is also very heavy so movement of huge stones from one place to another is also not possibly easy. More than 130,000 tons of granite were used to build Rajarajeshwar Thanjavur temple. The heavy stones weighing several tons were bought down from the place that was located 50 miles away from the Tanjore temple.

Granite Stones Pulled By Elephants: Chozha Kings had huge resource of animals for building temples and army forces. How strong was legacy of Chozha Kings can be seen from the fact, Greek biographer stated that Nanda dynasty had a mighty military power of 80000 horse back troops, 200000 foot soldiers, 6000 battle elephants and about 8000 war horse-drawn vehicles. The reference of human and animal resource of Nanda dynasty was only for battlefront. For constructing structures they had different pool of animal resources. Similarly, RajaRaja Chola had allocated over 1000 elephants and over 5000 horses for the construction of structures.

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5. Cutting and carving of Granite stones for Building Shiv Temple

The cutting and carving of the granite stone is very difficult, britishers after seeing Granite block temples tried to replicate the feat but failed miserably. While mughals when saw such temples tried ways to dismantle or reconvert temples into satanic tombs and mosques – true to the terrorism legacy they got from koran and dacoit mohammed. It was patience, selfless bhakti and love towards mother earth that made it possible. Chozha Kings were keen on protecting nature and never did any harm to the environment when they build temples. Whenever range of trees were cut from the forests for the construction of temples, an equal and in some cases double the number of trees were planted. Even today it is not possible to carve intricate designs on the Granite stones, as shown in the Thanjavur temples.

How Granite Stones were Cut, Carved and Customized: Series of holes were created in the granite block. The holes can be deeper or surfacial based on the requirement. Then wooden sticks were filled in those holes, water is poured on the holes. After a long period of time the rocks would break. And in similar manner, customized Granite blocks were cut.

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6. Secret passages in Thanjavur (Tanjore) Big temple

A dedicated secret passage was created to connect different secret places in hidden mesh-like structure. It is decorated with distinct features depicting Hindu history of Bharat (India). While roaming through secret passages, it is impossible to come back to the starting point, as no one knows the route to reach the inter-places meshed to each other. That is the reason, most of the underground and secret passages are closed for the public and archaeologists.

What are Secret Passages of Thanjavur (Tanjore):

Secret Passages are closed since entrance to them is only possible when you recite right mantra to enter it. The in-roads through the secret passages lead to places which RajaRaja Chola wanted only his close confidante to know. Such places were holding keys to the treasure chest, rare scripts, calligraphs and vaults whose confidentiality were to be maintained.

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